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BEYOND THE FRAME
Perspectives on Art, Collecting and the Market


When Data Is Everywhere
The promise and limits of AI in the art market This is not the first time technology has promised to democratize the art market. When Artnet's auction-price database began changing the way we worked, collectors could suddenly search auction histories themselves. Clients began telling me they had their own Artnet subscriptions—information that had largely been the province of art professionals was now readily available to anyone willing to subscribe. At the time, private deale
ESSAYS


When Data Is Everywhere
The promise and limits of AI in the art market This is not the first time technology has promised to democratize the art market. When Artnet's auction-price database began changing the way we worked, collectors could suddenly search auction histories themselves. Clients began telling me they had their own Artnet subscriptions—information that had largely been the province of art professionals was now readily available to anyone willing to subscribe. At the time, private deale


Everyone is dumping Basquiat
"Everyone is dumping Basquiat,” Ethel Scull said as we sat together at the Pierre Hotel having lunch. I looked at her and thought, how is that possible? He was the hottest young contemporary artist at the time of his death. A few years later, collectors weren’t so sure. Ethel turned out to be right. Collectors worried that museums were not supporting the work, not accepting Basquiat gifts—and MoMA and the Whitney didn’t have a Basquiat in their collections.
“How long did it take you to make this painting?”
Whenever I hear someone ask this question—at an opening, in a gallery, or during a studio visit—I cringe. I know it is the last question most artists want to hear. It suggests that the viewer is not engaged with the ideas behind the work or its visual qualities, but has already moved on to calculating its value. If an artwork took months or years to complete, perhaps it is worth the price—even though the price may not have been mentioned. If the artist made it in a morning, t

Patricia Shea
OVERHEARD
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